you shall above all things be glad and young
For if you’re young,whatever life you wear
it will become you;and if you are glad
whatever’s living will yourself become.
Girlboys may nothing more than boygirls need:
i can entirely her only love
whose any mystery makes every man’s
flesh put space on;and his mind take off time
that you should ever think,may god forbid
and (in his mercy) your true lover spare:
for that way knowledge lies,the foetal grave
called progress,and negation’s dead undoom.
I’d rather learn from one bird how to sing
than teach ten thousand stars how not to dance
— e.e. cummings
The good grey guardians of art
Patrol the halls on spongy shoes,
Impartially protective, though
Perhaps suspicious of Toulouse.
Here dozes one against the wall,
Disposed upon a funeral chair.
A Degas dancer pirouettes
Upon the parting of his hair.
See how she spins! The grace is there,
But strain as well is plain to see.
Degas loved the two together:
Beauty joined to energy.
Edgar Degas purchased once
A fine El Greco, which he kept
Against the wall beside his bed
To hang his pants on while he slept.
— Richard Wilbur
By the time you swear you’re his,
Shivering and sighing,
And he vows his passion is
Infinite, undying—
Lady, make a note of this:
One of you is lying.
— Dorothy Parker
I can only find words for.
And sometimes I can’t.
Here are these flowers that stand for.
I stand here on the sidewalk.
I can’t stand it, but yes of course I understand it.
Everything has to have meaning.
Things have to stand for something.
I can’t take the time. Even skin-deep is too deep.
I say to the flower stand man:
Beautiful flowers at your flower stand, man.
I’ll take a dozen of the lilies.
I’m standing as it were on my knees
Before a little man up on a raised
Runway altar where his flowers are arrayed
Along the outside of the shop.
I take my flames and pay inside.
I go off and have sexual intercourse.
The woman is the woman I love.
The room displays thirteen lilies.
I stand on the surface.
— Frederick Seidel
Children aren’t happy with nothing to ignore,
And that’s what parents were created for.
— Ogden Nash
sweet jesus, superman,
if i had seen you
dressed in your blue suit
i would have known you.
maybe that choirboy clark
can stand around
listening to stories
but not you, not with
metropolis to save
and every crook in town
filthy with kryptonite.
lord, man of steel,
i understand the cape,
the leggings, the whole
ball of wax.
you can trust me,
there is no planet stranger
than the one i’m from.
— Lucille Clifton
The ambulance men touched her cold
body, lifted it, heavy as iron,
onto the stretcher, tried to close
the mouth, closed the eyes, tied the
arms to the side, moved a caught
strand of hair, as if it mattered,
saw the shape of her breasts, flattened by
gravity, under the sheet,
carried her, as if it were she,
down the steps.
These men were never the same. They went out
afterwards, as they always did,
for a drink or two, but they could not meet
each other’s eyes.
Their lives took
a turn—one had nightmares, strange
pains, impotence, depression. One did not
like his work, his wife looked
different, his kids. Even death
seemed different to him—a place where she
would be waiting,
and one found himself standing at night
in the doorway to a room of sleep, listening to a
woman breathing, just an ordinary
woman
breathing.
— Sharon Olds
I am in need of music that would flow
Over my fretful, feeling finger-tips,
Over my bitter-tainted, trembling lips,
With melody, deep, clear, and liquid-slow.
Oh, for the healing swaying, old and low,
Of some song sung to rest the tired dead,
A song to fall like water on my head,
And over quivering limbs, dream flushed to glow!
There is a magic made by melody:
A spell of rest, and quiet breath, and cool
Heart, that sinks through fading colors deep
To the subaqueous stillness of the sea,
And floats forever in a moon-green pool,
Held in the arms of rhythm and of sleep.
— Elizabeth Bishop
The girl on the rooftop stares out
over the city and grips a cold revolver.
Laundry flaps around her in the hot night.
Each streetlight haloes a sinister act.
People are trapped in their beds, dreaming of
the A-bomb and hatching get-rich-quick schemes.
Pickpockets and grifters prowl the streets.
Hit-men stalk informers and crooked cops hide in churches.
Are there no more picket fences and tea parties
in America? Does no one have a birthday anymore?
Even the ballgames are fixed, and the quiz shows.
Airplanes full of widows circle the skyline.
Young couples elope in stolen cars.
All the prostitutes were wronged terribly in childhood.
They wear polka dot skirts, black gloves, and trenchcoats.
Men strut around in boxy suits, fedoras, and palm-tree ties.
They jam into nightclubs or brawl in hotel rooms
while saxophone music drowns out their cries.
The girl in the shadows drops the revolver
and pushes through the laundry to the edge of the roof.
Her eyes are glassy, her hair blows wild.
She looks down at her lover sprawled on the sidewalk
and she screams.
A crowd gathers in a pool of neon.
It starts to rain.
— Nicholas Christopher
When I was young my teachers were the old.
I gave up fire for form till I was cold.
I suffered like a metal being cast.
I went to school to age to learn the past.
Now I am old my teachers are the young.
What can’t be molded must be cracked and sprung.
I strain at lessons fit to start a suture.
I go to school to youth to learn the future.
— Robert Frost